21 marzo 2026

This Friday 20 March, at 10 a.m. spring has begun

This Friday 20 March, at 10 a.m. spring has begun 


Spring begins with the spring equinox, which usually falls on 20 or 21 March in the northern hemisphere. For example: It is often March 20. Some years it may be March 21 (very rarely March 19)

This 2026, spring begins on March 20 

The start day of spring varies because the year does not last exactly 365 days, but approximately 365.2422 days. This small lag is what makes the Spring Equinox not always fall on the same day.

To compensate: Every year there are about 6 hours "left".

These hours are accumulated: Every 4 years we add an extra day (leap year) in February. Even so, the adjustment is not yet perfect, and that is why the equinox may fall: March 19 (very rare), March 20 (the most common) or March 21.

In addition, small adjustments to the calendar and the actual movement of the Earth around the Sun also influence.

In short: it is not that spring changes, but that our calendar tries to follow a movement that is not exact.

Here are the approximate dates of the Spring Equinox (beginning of spring in the Northern Hemisphere) for the next few years:
2026 → March 20
2027 → March 20
2028 → March 20
2029 → March 20
2030 → March 20
2031 → March 20
2032 → March 20
2033 → March 20
2034 → March 20
2035 → March 20
As you can see, for many years in a row it falls on March 20, which is the most common today.
March 21, which used to be more common, now hardly occurs due to the adjustment of the calendar. March 19 can appear very punctually in some distant years.

Here is the approximate time of the Spring Equinox in Palma (Mallorca) for the coming years:
2026 → March 20 at 10:01 am
2027 → March 20 at 3:25 p.m.
2028 → March 20 at 8:17 p.m.
2029 → March 20 at 02:02 h
2030 → 20 March at 07:52 h

The time changes every year because the Earth does not take exactly the same time to complete each revolution of the Sun.

An interesting detail: the equinox is a very precise instant, not all day. It is the exact moment when the Sun crosses the celestial equator and day and night last practically the same all over the world.


Este viernes 20 de marzo, a las 10 h. de la mañana ha comenzado la primavera

Este viernes 20 de marzo, a las 10 h. de la mañana ha comenzado la primavera

La primavera empieza con el equinoccio de primavera, que normalmente cae el 20 o el 21 de marzo en el hemisferio norte. Por ejemplo:
A menudo es el 20 de marzo
Algunos años puede ser el 21 de marzo (muy raramente el 19)
Este 2026, la primavera comienza el 20 de marzo 
El día de inicio de la primavera varía porque el año no dura exactamente 365 días, sino aproximadamente 365,2422 días. Este pequeño desfase es el que hace que el Equinoccio de primavera no caiga siempre el mismo día.
Para compensarlo: Cada año "sobran" unas 6 horas aproximadamente.
Estas horas se van acumulando: Cada 4 años añadimos un día extra (año de traspaso) en febrero. Aun así, el ajuste aún no es perfecto, y por eso el equinoccio puede caer: el 19 de marzo (muy raro), el 20 de marzo (el más habitual) o el 21 de marzo.
Además, también influyen pequeños ajustes del calendario y el movimiento real de la Tierra alrededor del Sol.
En resumen: no es que la primavera cambie, sino que nuestro calendario intenta seguir un movimiento que no es exacto.
Aquí tienes las fechas aproximadas del Equinoccio de primavera (inicio de la primavera en el hemisferio norte) para los próximos años:
2026 → 20 de marzo
2027 → 20 de marzo
2028 → 20 de marzo
2029 → 20 de marzo
2030 → 20 de marzo
2031 → 20 de marzo
2032 → 20 de marzo
2033 → 20 de marzo
2034 → 20 de marzo
2035 → 20 de marzo
Como ves, durante bastantes años seguidos cae el 20 de marzo, que es el más habitual hoy en día.
El 21 de marzo, que antes era más común, ahora casi no se da por el ajuste del calendario. El 19 de marzo puede aparecer muy puntualmente en algunos años lejanos.
Aquí tienes la hora aproximada del Equinoccio de primavera en Palma (Mallorca) para los próximos años:
2026 → 20 de marzo a las 10:01 h
2027 → 20 de marzo a las 15:25 h
2028 → 20 de marzo a las 20:17 h
2029 → 20 de marzo a las 02:02 h
2030 → 20 de marzo a las 07:52 h
La hora va cambiando cada año porque la Tierra no tarda exactamente el mismo tiempo en completar cada vuelta al Sol.
Un detalle interesante: el equinoccio es un instante muy preciso, no todo el día. Es el momento exacto en que el Sol cruza el ecuador celeste y el día y la noche duran prácticamente lo mismo en todo el mundo.

19 marzo 2026

ERNEST HEMINGWAY. For Whom the Bell Tolls CHAPTER 2

ERNEST HEMINGWAY. For Whom the Bell Tolls CHAPTER 2


They had made it through the dense grove to the top where the valley ended, a bucket-shaped valley, and Jordan suspected that the camp must be on the other side of the rock face behind the trees.
The camp was indeed there, and it was first-rate. It could not be seen until there was one above it, and from the air it could not be located. Nothing could be discovered from above. It was as well hidden as a bear cave. And, more or less, so badly guarded. Jordan watched him carefully as they got closer.
There was a large cave in the rock face, and at the foot of the cave entrance he saw a man sitting with his back against the rock and his legs lying on the ground. The man had left his rifle leaning against the wall and was cutting a stick with a knife. When he saw them arrive, he stared at them for a moment and then continued with his work.
"Hello! he said. Who's coming?
"The old man and a dynamiter," said Pablo, depositing his bundle by the entrance of the cave.
Anselmo took the weight off his shoulders and Jordan took off his carbine and left it leaning against the rock.
"Don't leave this so close to the cave," said the man who was cutting the stick. He was a good-looking gypsy, with an oiled face and blue eyes that formed a sharp contrast on that dark face. There is fire inside.
"Get up and put them up yourself," Paul said. Put them here, at the foot of this tree.
The gypsy did not move; but he said something that cannot be written, adding:
"Leave them where they are, and thus receive; with this all your ills will be cured.
"What are you doing?" Jordan asked, sitting down next to the gypsy, who showed himself to him. It was a rectangle-shaped trap and it was cutting the crossbar.
"It's for foxes," he said. This stick kills them. It breaks their backs. He winked at Jordan. You see; like this. "He made the trap work so that the stick sank; then he shook his head and opened his arms to see how the fox was left with a broken backbone. Very practical," he said.
"The only thing he hunts are rabbits," said Anselmo. He is a gypsy. If he hunts rabbits, he says they are foxes. If I were to hunt a fox by chance, I would say it was an elephant.
"What if I hunted an elephant?" asked the gypsy and, showing his white teeth again, winked at Jordan.
"You'd say it was a tank," Anselmo said.
"I'll get the tank," replied the gypsy; I'll get the tank, and you can give it whatever name you like.
"The gypsies talk a lot and do little," said Anselmo. The gypsy hit Jordan and continued to cut his stick.
Pablo had disappeared inside the cave and Jordan trusted that he had gone to eat. Sitting on the ground next to the gypsy, he let the afternoon sun, sneaking through the treetops, warm his legs, which he had stretched out. From the cave came the smell of food, the smell of onions and oil and fried meat, and his stomach quivered with need.
"We can catch a tank," Jordan said to the gypsy. It's not too difficult. "With this?" asked the gypsy, pointing to the two bundles.
"Yes," Jordan replied. I'll show you. You have to cheat, but it's not too difficult.
"You and me?"
"Sure," Jordan said. Why not?
"Hey! said the gypsy to Anselmo. Put these two sacks where they are safe; Do yourself a favor. They have a lot of value.
Anselm resounded:
I'll get wine."
Jordan got up, pushed the bundles away from the cave entrance, leaving one on each side of a tree trunk. He knew what was there and he didn't like them being too close together.
"Bring a vase for me," said the gypsy.
"Have you come here?" Jordan asked, sitting down next to the gypsy again.
"Wine?" That there is. A full skin. Half a skin at least.
"And is there anything to eat?"
"All you want, man," replied the gypsy. Here we live as generals.
"And what do the gypsies do in time of war?" Jordan asked.
"They're still gypsies.
"It's not a bad job.
"The best of all," said the gypsy. What's your name?
"Robert. And you?
"Rafael." Is what you say about the tank serious?
"Of course it's serious. Why wouldn't it be?
Anselmo came out of the cave with a stone vessel filled to the brim with red wine, carrying in one hand three cups held by the handles.
"Here it is," he said; They have cups and everything.
Pablo came out after him.
"The food is coming soon," he announced. Do you have tobacco?
Jordan got up, went to the sacks and, opening one, felt with his hand until he reached an inside pocket, from where he took out one of the metal boxes of cigarettes that the Russians had given to Golz's headquarters. He ran his thumbnail over the edge of the lid and, opening the box, offered it to Pau, who took half a dozen cigarettes. Holding the cigarettes in the palm of one of his huge hands, Pablo lifted one in the air and looked at it against the light. They were long, thin cigarettes, with a cardboard filter.
"Very air and little tobacco," he said. I know them. The other, the one with the strange name, also had it.
"Kashkin," Jordan said, and offered cigarettes to the gypsy and Anselmo, who took one each.
"Take more," he said, and they took another. Jordan gave four more to each and then they, cigarettes in hand, waved, thanking each other as if brandishing a saber.
"Yes," said Paul, "it was a very strange name.
"Here's the wine," Anselmo recalled.
He put one of the cups in the container and held it out to Jordan. Then he filled another for the gypsy and another for himself.
"Is there no wine for me?" Pablo asked.
Anselmo offered him his cup and went to the cave in search of another for himself. When he returned, he bent over the container, filled his cup, and then everyone toasted, clashing the edges.
The wine was good; It tasted slightly like resin, due to the skin of the gold, but it was fresh and excellent on the palate.
"The food comes right away," Pablo insisted. How did he die?
"They caught him and he committed suicide.
"How did this happen?"
"He was wounded and did not want to be taken prisoner.
"But what were the details like?"
"I don't know," Jordan said, lying.
"He asked us to promise to kill him in case he was wounded, when this was the case, and he couldn't escape," Pablo said.
"He must have been very agitated then," Jordan thought. Poor Kashkin!"
"He had I don't know what scruples about committing suicide," Pablo explained. He told me like this.
"Did he tell you this?" Jordan asked.
"Yes," the gypsy confirmed.
"He was also in the train thing, wasn't he?"
"Yes, all of us were on the train.
"He spoke very strangely," Pablo insisted. But he was very brave.
"Poor Kashkin!" thought Jordan, "it should do more damage than it does here.
"It was a little weird," Jordan confessed.
"But he was very clever at making explosions," said the gypsy. And very brave.
"But kind of crazy," Jordan said. In this matter you have to have a lot of head and nerves of steel. There is no need to talk like that, as he did.
"And you," said Paul, "if you were wounded on the bridge, would you like us to leave you behind?"
"Hey," Jordan said, leaning over to him, as he dipped the cup into the bowl to pour himself wine again. Sorry, if I ever have to ask someone for a favor, I'll ask them when the time comes.
"Olé!" said the gypsy. That's how the good guys talk. Ah! Here's the food.
"You have already eaten," said Paul.
"But I can eat again," said the gypsy. Look who wears it.
The girl was inclined to leave the cave. She was holding a flat iron casserole with two handles in her hand, and Robert Jordan saw her turn her face, as if she were ashamed of something, and he understood at once what was wrong. The girl smiled and said, "Hello, buddy," and Jordan replied, "Cheers," and tried not to stare at her or look away. The girl put the iron paella pan on the floor in front of her, and Jordan saw that she had beautiful tanned skin hands. Then she looked at him cheekily and smiled.
He had white teeth, which contrasted with the dark skin, and the skin and eyes were the same golden brown color. She had beautiful cheeks, cheerful eyes, and a full mouth, not very drawn. Her hair was the same golden brown as a wheat field scorched by the summer sun, but she wore it so short that it made one think of a beaver's fur. The girl smiled, looking at Jordan, and raised her brown hand to run it over her head, trying to straighten her hair, which rose again immediately. "She has a pretty face," Jordan thought, "and she'd be really pretty if she hadn't been shaved." "That's how I comb my hair," the girl said to Jordan, and laughed. Well, you eat. Don't just stare at it. They cut my hair in Valladolid. Now it has grown me.
She sat down beside him and stared at him. He looked at her too. She smiled and folded her hands on her knees. Her legs appeared long and clean, sticking out of the men's pants she was wearing, and as she stood there, her hands folded on her knees, Jordan saw the shape of her small, shapely breasts under the gray shirt. Every time Jordan looked at her, she felt a kind of ball form in her throat.
"We have no dishes," said Anselmo; Use the knife. "The girl had left four forks, their tines down, next to the iron paella pan.
They all ate from the same plate, without speaking, as is customary in Spain. The meal consisted of rabbit, seasoned with lots of onion and green peppers, and there were chickpeas in the sauce, dark, made with red wine. It was very well stewed; the meat fell off the bones by itself and the sauce was delicious. Jordan drank another cup of wine with the meal. The girl did not take her eyes off him. Everyone else was attentive to the food.
Jordan flocks with a piece of bread the remaining sauce, carefully piled the rabbit bones aside, took advantage of the game that was left in this space, wiped the fork with another piece of bread, cleaned the knife and the award as well, and then ate the bread that had been used to clean it. Leaning forward, he filled a new cup while the girl continued to watch him.
Jordan straightened up, drank half the cup, and saw that he still had the ball down his throat when he wanted to talk to the girl.
"What's your name?" he asked. Paul immediately turned his face towards him when he heard that tone of voice. He immediately got up and left.
"Maria, what about you?"
-Robert. Have you been around for a long time?
"Three months."
"Three tables?" Jordan asked, looking at her head, the thick, short hair she was trying to crush, going over and over her command, which she was doing now with some difficulty, without success, because her hair would immediately stand up again like a field of soft, windswept on the side of a hill.
"They shaved it off me," he explained; they shaved my head from time to time in the dam of Valladolid. It took me three months to grow like now. I was on the train. They took me to the South. Many of the detainees who were on the train that flew were caught after the explosion; but I don't. I see myself with them.
"I found her hidden among the rocks," the gypsy explained. He was there when we were going to leave. Boy, how ugly she was! We took her with us, but on the way I thought several times that we would abandon her.
"And the other one who was with the train with them?" Maria asked. The other, the blond one, the foreigner. Where is it?
"Died," Jordan said. He died in April.
-In April? The train thing was in April.
"Yes," Jordan said; He died ten days after the train.
"Poor thing," said the girl; He was very brave. And you do the same work?
"Yes.
"Have you flown trains too?"
"Yes, three trains.
"Here?"
"In Extremadura," Jordan said. I have been to Extremadura before coming here. We have done a lot in Extremadura. We have a lot of people working in Extremadura.
"And why have you come to these mountains now?"
"I've come to replace the other, the blond one. I also knew this region before the Movement.
"Do you know her well?"
"No, not very well. But I learn quickly. I have a very good map and a good guide.
"Ah, the old man," she said, nodding her head; the old man is very good.
"Thank you," Anselmo said, and Jordan suddenly realized that he and the girl were not alone, and he also realized that it was difficult for him to look at her, because the tone of his voice changed quickly. He was violating the second of the two commandments that govern when dealing with Spaniards: you have to give tobacco to men and leave women alone. But he also saw that nothing mattered to him. There were many things that did not care about him; Why would he care about it?
"You're very pretty," he said to Maria. I would have liked to see what you were like before you had your hair cut.
"The hair will grow," she said. In six months I'll have it long.
"I should have seen her when we took her. She was so ugly, it churned her guts.
"Whose wife are you?" Jordan asked, wanting to give the voice a normal tone. Of peace?
The girl looked him in the eye and laughed. Then he hit him on the knee.
"Pablo's?" Have you seen Pablo?
"Well, then maybe you're Rafael's wife." I've seen Rafael.
"I'm not from Rafael.
"It's nobody," the gypsy clarified. She is a very strange woman. He is body. But cook well.
"Nobody's?" Jordan asked.
"Nobody's. No one's. Neither jokingly nor seriously. Nor from you either.
"No?" Jordan asked and saw the ball go back down his throat. Well, I don't have time for women. This is the truth.
"Not even fifteen minutes?" The gypsy asked ironically. Not even a quarter of an hour?
Jordan didn't answer. He looked at the girl at Maria and noticed that her throat was too tight to try to venture to talk.
Maria looked at him and burst out laughing. Then he suddenly reddened, but he kept looking at him.
"You've turned red," Jordan said. Do you turn red often?
"Never.
"You've turned red again right now.
"Well, I'll go to the cave."
"Stay here, Maria.
"No," she said, and didn't smile at him again. I'm going to the cave right now.
He took the iron paella pan where they had eaten, and the four forks.
He moved with little trace, like a newborn colt, but with all the grace of a young animal.
"Do you keep the cups?" he asked. Jordan kept looking at her and she turned red.
"Don't look at me," she said; I don't like you looking at me like that.
"Put down the cups," said the gypsy. Leave them here.
He put a cup in the bar and offered it to Jordan, who watched as the girl lowered her head to enter the cave, carrying the iron paella pan in her hands.
Thank you," Jordan said. His voice had returned to normal tone since she had disappeared. It is the last. We've had enough to drink.
"We're done with the sweep," said the gypsy; there are more than half skins. We took him on one of the horses.
"It was Pau's last job," Anselmo said. Since then he has done nothing.
"How many are you?" Jordan asked.
"There are seven of us and two women.
"Two?"
"Yes, Pablo's girl and wife.
"Where is Pablo's wife?"
"In the cave." The girl knows how to cook a little. I said I cooked well to flatter her. But all he does is help Pau's wife.
"And what is that woman, Pablo's wife, like?"
"A beast," said the gypsy, smiling. A real beast. If you think Paul is ugly, you should see his wife. But very brave. Much braver than Pablo. A beast.
"Paz was brave at first," Anselmo said. Pablo used to be very brave.
"More people have died than cholera," said the gypsy. At the beginning of the Movement, Paul killed more people than typhus.
"But it has been very weak for a long time," Anselmo explained. Very weak. He is very afraid of dying.
"It must be because he killed so many people in the beginning," said the gypsy philosophically. Paul has killed more than the plague.
"Because of that and because he is rich," said Anselmo. Plus, he drinks a lot. Now he would like to retire as an ox killer. But he cannot withdraw.
"If you go to the other side of the lines, they will take your horses and make you join the army," said the gypsy. I wouldn't want to join the army.
"No gypsy likes it," said Anselmo.
"And why would we like to?" asked the gypsy. Who is it that wants to be in the army? Let's make the revolution to join the ranks? I like to wage war, but not in the army.
"Where are the others?" Jordan asked. He felt at ease and wanted to sleep thanks to the wine. He had laid on his back on the ground and was staring through the treetops at the afternoon clouds moving slowly in the high Spanish sky.
"There are two who are sleeping in the cave," said the gypsy. Two others are on guard upstairs, where we have the machine. One is on guard down; They're probably all asleep.
Jordan stretched to the side.
"What kind of machine is this?"
"It has a very strange name," said the gypsy; It has gone from my memory a little while ago. It's like a machine gun.
"It will be a machine gun," Jordan thought.
"How much does it weigh?" he asked.
"A man can carry it, but it's heavy. It has three feet that fold. We caught it on the last serious expedition; the last one, before that of wine.
"How many cartridges do you have?"
"An infinity," replied the gypsy. A whole box, which weighs its own.
It will be about five hundred, Jordan thought.
"How do you load it, with tape or with plates?"
"With round iron studs that you put through the mouth of the machine."
"Hell, it's a Lewis," Jordan thought.
"Do you know a lot about machine guns?" He asked the old man.
"Nothing," replied Anselmo. Nothing.
"And you?" He asked the gypsy.
"I know they fire very quickly and get so hot that the cannon burns your hands if touched," the gypsy replied proudly.
"Everybody knows that," said Anselmo contemptuously.
"Perhaps I know," said the gypsy. But he asked me if I knew anything about the machine and I told him. Then he added, "Besides, contrary to what ordinary rifles do, they keep firing while the trigger is pulled.
"If they don't jam, they may lack ammunition or they may get so hot that they melt," Jordan said, in English.
"What do you say?" Anselmo asked.
"Nothing," Jordan replied. I was looking to the future in English.
"That's strange," said the gypsy. Looking to the future in English. Do you know how to read in the palm of your hand?
"No," said Roberto, and poured himself another cup of wine. But if you know, I'd like you to read the palm of my hand and tell me what's going to happen in three days.
"Pablo's wife can read the palm of her hand," said the gypsy. But he's got such a bad temper and he's so wild, I don't know if he'll want to.
Robert Jordan sat down and took a drink of wine.
"Let's see what that Pablo's wife is like," he said; If it's as bad as you say, I'd better meet it as soon as possible.
"I don't dare disturb her," said Raphael; He hates me to death.
"Why?"
"He says I'm lazy."
"What an injustice! Anselmo commented ironically.
-You don't like gypsies.
"It's a mistake," said Anselmo.
"He has gypsy blood," said Raphael; "You know what you're talking about," he added, smiling. But he has a tongue that cooks like a whip. With his tongue he is able to remove your skin in strips. She is an incredible savage.
"How do you get along with the girl, with Maria?" Jordan asked.
"Well. He wants the girl. But he doesn't let anyone really get close to him. He shook his head and his tongue chattered.
"She's very good to the girl," said Anselmo. Take great care.
"When we took the girl, when the train happened, it was very strange," said Rafael; he did not want to talk; She was always crying, and if she was touched, she would start shaking like a wet dog. Only later did it begin to get better. Now it's going very well. A while ago when I was talking to you she got along very well. For us, we would have left it when the train happened. It wasn't worth wasting time on something so ugly and so sad that it was worthless. But the old woman tied a rope around her body, and when the girl said no, she couldn't walk, the old woman would hit her with one end of the rope to force her to go on. Later, when the girl couldn't really walk on her foot, the old woman carried her on her back. When the old woman could no longer carry her, I was the one who had to carry her. We cut down this mountain among brambles and weeds up to our chests. And when I couldn't bring her anymore, Pablo replaced me. But the things that the old woman had to call us to do this! He shook his head, remembering himself. It's true that the girl doesn't weigh, she only has legs. It is very light on bones and does not weigh much. But his strength was heavy when he had to carry her on his back, stop to shoot and then carry her again, and the old woman who beat Pablo with the rope and brought him his rifle, and put it in his hand when he wanted to drop the girl, and forced him to take her again. he took the cartridges out of his pockets and loaded the rifle and kept calling him. It was night, and with the darkness everything was settled. But it was fortunate that they didn't have cavalry.
"The train must have been very hard," said Anselmo. I wasn't on the train," he explained to Jordan. There was Pablo's band, the Deaf band, whom we will see tonight, and two other bands from these mountains. I was on the other end of the lines.
"And then there was the blond with the strange name," said the gypsy.
"Kashkin.
"Yes, it's a name I can never remember. We had two who carried machine guns. Two that he had sent us to the army. They couldn't load the machine gun in the end and it was lost. Surely she didn't weigh more than the girl, and if the old woman had taken care of her, they would have taken the machine gun. He shook his head as he remembered him, and went on, "I've never seen a similar explosion in my life. The train was coming slowly. You could see him coming from afar. I was so excited, I couldn't tell you. The smoke was seen and then the whistle of the whistle was heard. Then the train approached making chuchu chu-chu, getting stronger and stronger, and then, at the moment of the explosion, the front wheels of the train were
the engine was lifted into the air and the earth roared, and it seemed as if everything was raised in a black cloud, and the locomotive jumped into the air through the black cloud; The wooden crossings jumped into the air as if by magic, and then the machine was lying on its side, like a large wounded animal. And then an explosion of white vapor before the mud from the other explosion had finished falling. Then the machine began to make ta ta ta ta," said the gypsy excitedly, waving his clenched fists, raising and lowering them, with his thumbs resting on an imaginary machine gun. "Ta ta ta," he shouted, enthusiastically. I had never seen anything like it, with the soldiers jumping off the train and the machine shooting them at point-blank range, and the men falling; And that's when I put my hand on the machine, and I was so excited, that I didn't notice it was burning. And then the old woman slapped me in the face and said, "Shoot, you idiot; shoot, or I'll crush your brains." Then I started shooting, but it was difficult for me to have the machine straight, and the soldiers fled to the mountains. Later, when we went down to the train to see what we could catch, an officer, pistol in hand, forcibly rallied his soldiers against us. The officer was waving his gun and yelling at them to come after us, and we fired at him, but we didn't get to him. Then the soldiers dropped to the ground and started shooting, and the officer was going to and fro, but we didn't get to hit him, and the machine couldn't fire him because of the position of the train. This officer killed two of his men, who were lying on the ground, and yet the others would not get up, and he was screaming and finally making them get up, and they came running towards us and towards the train. Then they stretched again and fired. Then we escaped with the machine, which kept firing over our heads. It was then that I met the girl, who had escaped from the train and had hidden in the rocks, and she came with us. And it was those same soldiers who chased us into the evening.
"It must have been a hard blow," said Anselmo. But with a lot of emotion.
"It's the only good thing that's been done so far," said a deep voice. What are you doing, you disgusting drunkard, you gypsy son of a bitch? What are you up to?
Robert Jordan saw a woman, about fifty years old, as old as Pau, almost as wide as she was tall; she wore a black peasant skirt and a blouse of the same color, with black woollen stockings over her thick legs; he wore espadrilles and had a tanned face that could serve as a model for a granite monument. The woman had large, though well-shaped, hands and thick, curly black hair that was fastened at the nape of her neck with a bun.
"Come on, answer," he said to the gypsy, unaware of the presence of the others. What were you doing?
"I was talking to those comrades. This one you see here is a dynamiter.
"I know," replied Pablo's wife. Get out of here and go replace Andreu, who is on guard duty upstairs.
"I'm leaving," said the gypsy. I'm leaving. He turned to Robert Jordan. I'll see you at lunchtime.
"Don't even think about it," the woman said. You've already eaten three times, by the count I have. Go and send Andrew to me at once.
"Hello! He said to Robert Jordan, and stretched out his hand, smiling. How are things going in the Republic?
"Good," Jordan said, and returned the tight handshake. The Republic and I are doing well.
"I'm glad," she said. He looked at it without batter, and Jordan noticed that the woman had beautiful gray eyes. Has another train come to fly?
"No," Jordan replied, and he saw instantly that he could trust her. I've come to blow up a bridge.
"It's nothing," she said; a bridge is nothing. When will we blow up another train, now that we have horses?
"Later." The bridge is of great depth.
"The girl told me that her friend, the one who was on the train with us, has died.
"That's right.
"What a pity! I never saw such an explosion. He was a very talented man. I liked it a lot. Wouldn't it be possible to fly another train now? We have a lot of men in the mountains, too much. It is already difficult to find food for everyone. We'd better leave. We also have horses.
"We have to blow up a bridge.
"Where is that bridge?"
"Very close to here.
"Better than better," said Pablo's wife. We'll blow up all the bridges around here and go. I'm sick of this site. There are too many people here. Nothing good can come of it. We are standing here, doing nothing, and this is disgusting.
He saw Paul pass through the trees.
"Drunk," he shouted. Drunk, damned drunk. He turned to Jordan jovially, "He's taken a wineskin to drink alone in the woods," he explained. He's drinking all the time. This life ends with him. Young man, I'm so glad you came." He tapped him on the shoulder. "Come," he said, "you're stronger than you look. And he ran his hand over his back, feeling the muscles under his flannel shirt. "Well, I'm so glad you're here.
"I tell you the same thing.
"We'll get on well," she said. Have a drink.
"We've had a few," Jordan said. Want to drink? Jordan asked.
"No," she answered, "until dinner-time." It makes me feel heartburn. Then he turned his head and saw Pablo again. "Drunk," he shouted. Drunk. He turned to Jordan and shook his head. "He was a very good man," he said; but now it's finished. And listen, I want to tell you something else. Be good and very affectionate with the girl. With Mary. He has gone through a bad patch. Do you understand? He said suddenly addressing him.
"Yes, why are you telling me this?"
"Because I saw how he was when he entered the cave, after having seen you. I saw that he was watching you before leaving.
"We've joked a little.
"He's had a really bad time," Pablo's wife said. She is better now, and it would be well to take her away from here.
"Of course; we can send it across the lines with Anselm.
"Anselmo and you can take her when this is over," he said momentarily leaving the first name.
Robert Jordan heard the tightness in his throat again, and his voice grew hoarse.
"We could do it," he said.
Pablo's wife looked at him and shook her head.
"Oh, oh! he said. Are all men like you?
"I have not said anything," he answered; and it's very beautiful, as you know.
"No, she's not pretty. But it is beginning to be; Isn't this what you mean? Pablo's wife asked. Men. It's a shame that we, women, should make them. Aren't there houses supported by the Republic to take care of these girls?
"Yes," Jordan replied. There are very good houses. On the coast, near Valencia. And in other places. They will care for and teach how to take care of children. In these houses there are children from the evacuated villages. And they will teach her how to take care of them.
"That's what I want for her," Pablo's wife said. Pablo gets sick as soon as he sees her. It's another thing that's ending with him. He gets sick when he sees her. The best thing will be for him to leave.
"We can take care of it when we finish with the other.
"And will you take care of him if I entrust it to you?" I speak to him as if I had known him for a long time.
"And it's like that," Jordan said. When people understand each other, it's as if that's the case.
"Sit down," said Pablo's wife. I have not asked him to promise me anything, because what has to happen, will happen. But if you don't want to deal with it, then I'll ask you to promise me something.
"Why shouldn't I take care of it?"
"I don't want her to go crazy when she leaves. I've had her crazy before and I've been through enough with her.
"I'll take her with me after the bridge," Jordan said. If we're alive after the long weekend, I'll take her with me.
"I don't like to hear you talk like that. This way of speaking brings no luck.
"I spoke to you like that just to make a promise," Jordan said. I am not pessimistic.
"Let me see your hand," said the woman, returning again to the first name.
Jordan reached out and the woman opened it, held it back, ran her thumb through her palm carefully, and locked it back in. He got up. Jordan also stood up and saw that she was looking at him without smiling.
"What have you seen?" Jordan asked. I don't believe in these things; It's not going to scare me.
"Nothing," she said; I haven't seen anything.
"Yes, you've seen something, and I'm curious to know it." Although I don't believe in these things.
"What do you believe in?"
"In many things, but not in that.
"In what?"
—In my work.
"I've seen it.
"Tell me what you saw."
"I haven't seen anything," she said sourly. The bridge is very difficult, isn't it?
"No, I just said it's very important.
"But it can be difficult.
"Yes. And now I'll have to go downstairs and study it. How many men do you have here?
"There are five that are worth it. The gypsy is worthless, although his intentions are good. He has a good heart. I don't trust Pablo.
"How many men does the Deaf have who are worth it?"
"Maybe I'm eight." We will see tonight the Deaf. It will come that way. He is a very clever man. It also has some dynamite in it. Not much. He will talk to him.
"Have you sent for him?"
"He comes every night. He is our neighbor. He is a good friend and comrade.
"What do you think?"
"He's a good man. Very clever. In the matter of the train he was enormous.
—And those of the other bands?
"By giving them advance notice, we could collect fifty rifles of some confidence.
"What trust?"
—It depends on the seriousness of the situation.
"How many cartridges for each rifle?"
"About twenty. It depends on who they want to take to work. If they want to come for that job. Remember that there is no money or booty on the bridge, and that, from the way you speak, it is a dangerous matter, and that we shall have to leave these mountains afterwards. Many will oppose this bridge thing.
"I think so.
"So it is best to speak only when necessary.
"I completely agree.
"When you've studied the bridge," she said, rubbing her first name again, "we'll talk to the Deaf Man tonight."
"To see the bridge with Anselmo."
"Wake up," he said. Do you want a carbine?
"Thank you," Jordan replied. It is not bad to wear it; but, nevertheless, he would not use it. I'm just going to see; not to disturb. Thank you for telling me what you have told me. I really like the way he speaks.
"I wanted to speak frankly.
"Then tell me what you saw in my hand."
"No," she said, and shook her head. I haven't seen anything. Go to your bridge now. I will take care of your team.
"Cover it with something and make sure no one touches it." It's better here than inside the cave.
"I will cover it, and no one will dare touch it," said Pablo's wife. Go to your bridge now.
"Anselmo," said Jordan, resting a hand on the old man's shoulder, who was lying in his sleep, with his head hidden in his arms.
The old man opened his eyes.
"Yes," he said; Of course. Let's go.


ERNEST HEMINGWAY. For Whom the Bell Tolls CHAPTER 1

ERNEST HEMINGWAY. For Whom the Bell Tolls CHAPTER 1

He was lying face down on a layer of chestnut pine needles, his chin resting on his arms crossed, while the wind, overhead, whizzed between the tops. The flank of the mountain sloped gently on that side; But further down it became a steep slope, so that from where she lay she could see the dark, well-inflamed ribbon of the road, zigzagging around the harbour. There was a stream running along the road, and further down on the banks of the stream was a sawmill and the white hair of the waterfall spreading out of the dam, shimmering in the sunlight.

"Is this the sawmill?" he asked.

"This is it."

"I don't remember.

"It was done after you left. The old sawmill is downstairs, much lower than the harbor.

On the pine needles he unfolded the photographic copy of a military map and studied it carefully. The old man was looking over his shoulder. He was a small, strong guy who wore a black villager-style blouse, gray corduroy pants, and hemp-soled espadrilles. He was resolving strongly because of the climb and had his hand resting on one of the heavy bundles that had been climbed.

"You can't see the bridge from here.

"No," said the old man. This is the most open part of the harbour, where the river runs slower. Further down, where the road gets lost among the trees, it becomes steeper and forms a narrow gorge...

"I remember.

"The bridge crosses that gorge."

"And where are the guard posts?"

"There's a place in the sawmill you see here.

The young man took cufflinks from his shirt pocket, an indecisively colored wool shirt, wiped the windows with the handkerchief, and tightened the nuts until the walls of the sawmill were clearly drawn, so that he could make out the wooden bench by the door, the sink sliding down the slope of the mountain.  on the other side of the river. The river appeared clear and limpid in the twins and, under the mane of water of the dam, the wind blew the foam.

"There is no sentinel.

"You can see smoke coming out of the sawmill," said the old man. There are clothes hanging on a rope.

"I see it, but I don't see any sentinels.

"Perhaps it will remain in the shadow," observed the old man. It's hot right now. It must be in the shade, on the other side, where we cannot see.

"Where is the other place?"

"Beyond the bridge." It is in the peón camino box, five kilometers from the summit of the port.

"How many men will there be?" The young man asked, pointing toward the sawmill.

"Perhaps there are four and one head.

"And further down?"

"More." I'll find out.

"And on the bridge?"

"There are always two, one at each end.

"We shall need a certain number of men," said the young man. How many could I get?

"I can provide you with anyone I want," said the old man. There are many in these mountains now.

"How many exactly?"

"More than a hundred, though they're scattered in small bands. How many men will he need?

"I'll say when I've studied the bridge."

"Do you want to study it now?"

"No. Now I would like to go where we could hide these explosives until the time comes. I would like to hide them in a very safe place and at a distance of no more than half an hour from the bridge, if possible.

"That is possible," replied the old man. From where we are going, it will be all flat road to the bridge. But we must go up a little to get there. Hungry?

"Yes," said the young man; but we will have lunch afterwards. What is your name? I've forgotten it. "It was a bad sign, in your opinion, to have forgotten him.

"Anselmo," replied the old man. My name is Anselmo and I am from the ship of Ávila. Let me help you bring this bundle.

The young man, who was tall and slender, with flakes of blond hair, bleached by the sun, and a face fertilized by the weather, wore, in addition to the faded wool shirt, corduroy trousers and espadrilles. He leaned to the ground, put his arm under one of the straps that held the bundle and lifted it onto his back. Then he put his arm under the other strap and placed the bundle at shoulder height. His shirt was wet on the part where the bundle had been a short time before.

"That's it," he said. Let's go?

"We have to climb," Anselmo said.

Leaning under the weight of the bundles, sweating and sunbathing, they climbed the pine forest that covered the flank of the mountain. There was no path that the young man could distinguish, but they zigzagged. They crossed a small stream and the old man continued up the mountain, bordering the rocky bed of the stream. The path was increasingly steep and difficult, until finally we reached a place where the torrent could be seen gushing from a sharp edge of clean granite. The old man stopped at the foot of the ridge, to give the young man time to arrive.

"How's it going?"

"Very well," replied the young man. He was sweating from every pore and his muscles ached from the steep climb.

"Wait here a moment until I come back." I'm going to go ahead to let you know. You don't want to be shot while you're wearing that merchandise.

"Not in jest," replied the young man. Is it too far away?

"It's very close. Tell me what it's called.

"Roberto," replied the young man.

He had let the bundle drain away, depositing it gently between two large boulders by the bed of the stream.

"Wait here, Roberto; I immediately go back to look for it.

"All right," said the young man. But do you intend to go down to the bridge by this path?

"No, when we go to the bridge it will be by another way. Much shorter and easier.

"I don't want to keep all that material away from the bridge.

"You won't keep it. If you don't like the chosen place, we will look for another one.

"We'll see," replied the young man.

He sat down next to the bundles and looked at the old man climbing the rocks. He did it easily, and by the way he found the points of support, without hesitation, he deduced to the young man that he would have done it many times. However, whatever was above, he had been very careful not to leave any traces.

The young man, whose name was Robert Jordan, was feeling extremely hungry and restless. He was often hungry, but often not worried, for he did not care what might happen to himself, and knew from experience how easy it was to move behind the enemy's lines throughout the region. It was as easy to move behind the enemy's lines as it was to cross them if you had a good guide. Only giving importance to what could happen to one, if caught, was what made the risk; this and knowing who to trust. You had to trust the people you were working with entirely or not trust for anything, and you had to know for yourself who you could trust. He was not worried about anything. But there were other things that did worry him.

That Anselmo had been a good guide and was a considerable mountaineer. Robert Jordan was a good walker, but he'd noticed since they left that morning, before dawn, that the old man was ahead of him. Robert Jordan trusted the old man a lot, except for his judgment. He had not had a chance to know what he thought, and, in any case, it was his business to find out whether or not he could be confident. No, he did not feel uneasy about Anselmo, and the subject of the bridge was no more difficult than any other. He knew how to blow up any kind of bridge on the face of the earth, and he had blown up bridges of all kinds and sizes. He had enough explosives and equipment scattered between the two backpacks to blow up the bridge properly, even if it was twice as large as Anselmo had told him; as big as he remembered it was when he crossed him on his way to La Granja on a walking excursion in 1933, as big as Golz had described it that night, two days earlier, in the upstairs room of the house around El Escorial.

"Blowing up the bridge doesn't matter," said Golz, pointing with a pencil at the large map, his head bowed;

"Yes, I understand.

"Absolutely none. To simply skip it would be a failure.

"Yes, comrade general.

The important thing is to blow up the bridge at a certain time, when the offensive is unleashed. This is the most important thing.

Golz stared thoughtfully at the tip of the pencil and then tapped it softly on his teeth.

Robert Jordan said nothing.

"You are the one who should know when the time has come to do so," Golz insisted, looking up at him and tapping him on the map with his pencil.

"Why, comrade general?"

"Why?" asked Golz angrily? How many attacks have you seen why? planned?

"He'll start at the right time if the offense is his offense," Jordan said.

"They're never mine," Golz said. I never prepare. There is always someone who comes to wrap.

"When will the bridge have to be blown up?" Jordan asked.

"When the offensive begins. "When the offensive has begun, don't get reinforcements down the road," he pointed to a point with his pencil.

"And when is the offensive?"

"I'll say it. But use the date and time only from an indication of probability. to the port that I attack. I must know that the bridge has blown up. But not before, because they could repair it if the offensive gets underway. No. He must fly when the offensive has begun, and I have to know what has flown. There are only two sentries. The man who will accompany him has just arrived. He is a man of confidence, they say. You will see if it is. They have people in the mountains. Get all the men you need. Use as few as you can, but use them.

"And how can I know when the offensive has begun?"

"The offensive will be carried out with a complete division. There will be a bombardment as a preparatory measure.

"Then I shall have to deduce, when the planes begin to drop bombs, that the attack has begun.

"You can't always say this," Golz remarked, shaking his head; but in this case he will have to.

"I understand," Jordan said. but I can't say that I like it very much.

"I don't like it either. If you don't want to take on this task, say so now.

"I will," Jordan replied.

"That's all I want to know," Golz concluded. I want to know that nothing can pass through this bridge.

"Understood.

"I don't like to ask people to do these things under similar conditions," Golz continued. I can't order you. I understand that you may be forced to do certain things under these conditions. That is why I am interested in explaining everything in detail, so that you can take care of all the difficulties and the importance of the work.

"How will you advance towards La Granja when the bridge has been blown up?"

"We are prepared to repair it as soon as we have occupied the port. It is a complicated and beautiful operation. As complicated and as beautiful as ever. The plan was prepared in Madrid. It is another of the plans of Vicente Rojo, the beautiful teacher who has no luck with his masterpieces. It is I who must go on the offensive and who must do it, as always, with insufficient forces. However, it is an operation with a high probability. I feel more optimistic than I usually do. You can succeed if you delete the bridge. We can occupy Segovia. Look, I'll tell you how things have been prepared. Do you see this point? It is not through the highest part of the pass that we will attack. It is already mastered. Much lower. Look. Over there...

"I'd rather not know," Jordan said.

"Anyway," Golz agreed. This way you have less luggage to carry on the other side.

"I'd rather not find out. In this way, whatever happens, it was not me who spoke.

"It's better not to know anything," Golz nodded, stroking his forehead with his pencil. Sometimes I wish I didn't know it myself. But have you heard what you need to know about the bridge?

"Yes, I know.

"I think so," said Golz. And I don't want to give him a speech. Let's have a drink. Talking so much leaves my mouth dry, Comrade Jordan. Do you know that your name is very comical in Spanish, Comrade Jordan?

"What is Golz's name in Spanish, comrade general?"

"Hoze," Golz said, laughing and uttering the sound in a guttural voice, as if he were chilled. "Hotze," he howled, "Comrade General Hotze. If I had known how to pronounce Golz in Spanish, I would have looked for another name before coming to make war here. When I think I came to send a division and I could have chosen the name I would have liked and that I chose Hotze... General Hotze. Now it's too late to change it. Do you like the word parten?

It was the Russian word for guerrillas operating on the other side of the lines.

"I like it a lot," Jordan said. And he laughed. It sounds nice. It sounds like the open air.

"I liked it when I was her age, too," Golz said. They taught me how to fly bridges perfectly. In a very scientific way. By ear. But I've never seen you do it. Perhaps, deep down, nothing will happen. Does it actually manage to fly them? You could see he was joking. "Drink this," he added, handing him a glass of brandy. Does it actually manage to fly them?

"Sometimes.

"It's better that you don't say 'sometimes' to me now. Okay, let's not talk about this cursed bridge anymore. You already know everything you need to know. We are serious people, and that's why we want to joke. What, you have a lot of girls on the other end of the lines?

"No, I don't have time for girls.

"I don't think so; the more irregular the service, the more irregular life is. It has a very irregular service. You also need a haircut.

"I go to the barber's when I need to," Jordan replied. "It would be nice if he let me peel like Golz," he thought. I don't have time to deal with girls," he said in a hard accent, as if he wanted to cut off the conversation. What kind of uniform should I wear? he asked.

"None," said Golz. Her haircut is perfect. I just wanted to play a joke on him. "You are very different from us," said Golz, and refilled his glass. He doesn't think about the girls. Neither did I. I never think about anything. Do you think you could? I'm a Soviet general. I never think. Don't try to make me think.

Someone on his team, who was sitting in a nearby chair, working on a map on a board, whispered something that Jordan couldn't understand.

"Shut your mouth," Golz said in English. He jokes when I want. I'm so serious, I can joke. Come on, drink this and get long. You understood, didn't you?

"Yes," Jordan said; I have understood it.

They shook hands, greeted each other, and Jordan went out to the car, where the sleeping old man was waiting for him. In that same car they arrived in Guadarrama, with the old man always asleep, and went up the Navacerrada road to the Alpine Club, where Jordan rested for three hours before continuing the march.

This was the last time he had seen Golz, with his strange whitish face, which never tanned, with his owl's eyes, with his huge nose and thin lips, with his bald head, furrowed with scars and wrinkles. The next day at night, they would all be ready, in the vicinity of El Escorial, along the dark road: the long lines of trucks loading the soldiers 

two in the dark; the men, heavily loaded, getting into the trucks; the machine gun sections hoisting machines up to the trucks; the fences towing the widened trucks down the ramps; An entire division would throw itself into the lead that night to attack the harbor. But I didn't want to think about it. It was not his business. It was Golz's business. He had only one thing to do, and that was what he had to think about. And he had to think clearly, accept things as they came, and not be uneasy. To be restless was as bad as to be afraid. He did the hardest thing.

He sat by the stream, looking at the clear water that slid between the rocks, and he discovered on the other side of the stream a thick bush of watercress. He jumped over the water, took everything he could get his hands on, washed up the muddy races, and sat down again by the knapsack, devouring the fresh, clean leaves and the small, spicy, spicy cuts. Then he knelt by the water, and drawing the belt to which the pistol was fastened, so that it would not get wet, he bent down, holding himself with one command and another on the stones on the shore and drank from his mouth. The water was so cold it hurt.

He straightened up, turned his head, when he heard footsteps, and saw the old man coming down the rocks. With him was another man, dressed also like the black blouse of a villager, and with the gray corduroy trousers, which was almost a uniform in that province; he was wearing espadrilles and a carbine loaded on his shoulder. I couldn't get anything out of my head. Both men were leaping down the rocks like goats.

When they reached him, Robert Jordan stood up.

"Cheers, comrade! He said to the man with the carbine, smiling.

"Cheers! said the other, reluctantly. Robert Jordan studied the rude face, covered by a beard principle, of the newcomer. It was an almost round face; The head was also round, and seemed to come straight out of the shoulders. He had small, widely spaced eyes and his ears were also small and very attached to his head. He was a strong man, about six feet tall, with very large hands and feet. His nose was broken and his lips were divided at one of the corners; A scar crossed his upper lip, making its way through the badly shaved beards.

The old man nodded to his companion and smiled.

"It's the head here," he said, satisfied, and with a pose imitated an athlete, while looking at the man with the carbine with a somewhat disrespectful admiration. He is a very strong man.

"I see," Robert Jordan said, smiling again.

She didn't like the way the man looked, and inside he wasn't smiling.

What has to justify your identity? asked the man with the carbine.

Robert Jordan opened the safety pin that closed the pocket of his shirt and took out a folded piece of paper that he handed to the man; he opened it, looked at it doubtfully, and turned it around in his hands several times.

"So he can't read," Jordan warned.

"Look at the seal," he said aloud.

The old man pointed to the stamp and the man with the carbine studied it, turning the paper back in his hands.

"What seal is this?"

"Have you never seen it?"

"No.

"There are two stamps," said Robert Jordan: "One is from the S.I.M., the Military Information Service. The other is from the General Staff.

—I have seen this stamp on other occasions. But no one is in charge here but me," said the man with the carbine, very surly. What is it that she carries in these packages?

"Dynamite," said the old man proudly. Tonight we crossed the lines in the darkness and climbed these bundles up the mountain.

"Dynamite," said the man with the carbine. Okay. It works for me. He handed the paper to Robert Jordan and looked him in the face. It serves me; How long has it taken me?

"I didn't bring you dynamite," Robert Jordan said, speaking quietly. The dynamite is for another purpose. What is your name?

"And what does it matter to you?"

"His name is Pablo," said the old man. The man with the carbine looked at both of them closely.

"Well, I've heard a lot about you," Robert Jordan said.

"What have you heard of me?" Pablo asked.

"I have heard that you are an excellent guerrilla, that you are loyal to the Republic and that you prove your loyalty by your actions. I have heard that you are a serious and courageous man. I bring you greetings from the General Staff.

"Where have you heard all this?" Pablo asked.

Jordan realized that he hadn't swallowed a single word of the flattery.

"I've heard it said from Buitrago to El Escorial," he replied, calling all the places in a region on the other end of the lines.

"I don't know anyone in Buitrago or El Escorial," Pablo said.

"There are a lot of people on the other side of the mountains who weren't there before. Where is it from?

—From Ávila. What is he going to do with the dynamite?

"Blowing up a bridge."

"What bridge?"

"That's mine.

"If it's in this region, it's up to me. Flying bridges near where you live is not allowed. You have to live in one place and operate in another. I know the job. One who is still alive, like me, after a year of work, is because he knows the job.

"That's my business," Jordan insisted. But we can discuss that later. Do you want to help us carry the packages?

"No," Pablo said, shaking his head.

The old man turned to him, suddenly, and began to speak to him very quickly and in an angry tone, so that Jordan could hardly follow him. It seemed to him that it was as if he were reading Quevedo. Anselmo spoke old Spanish, and said something like this: "You're dirty, aren't you? You're a beast, aren't you? You don't have a brain. Not a bit. We come for a matter of great importance, and you, with the story that they leave you alone, put your fox above the interests of humanity. Above the interests of the people. I c... in this and in that and in your father and in your whole family. Take this bundle." Pablo looked at the ground.

"Everyone must do what they can," he said. I live here and I operate beyond Segovia. If you're looking for a stir here, you'll be kicked out of these mountains. Only by staying still here can we live in these mountains. That's what foxes do.

"Yes," said Anselmo bitterly, "that's what foxes do; but we need wolves.

"I'm more of a wolf than you," Pablo said. But Jordan realized he'd eventually get the lump.

"Ha, ha! Anselmo said, looking at him; You're more of a wolf than I am. You're more of a wolf than I am, but I'm sixty-eight.

He spat on the ground, shaking his head.

"Are you that old?" Jordan asked, realizing that things would be going well again for the time being, and trying to make them easier.

"Sixty-eight, in July.

"If we look at the month of July," said Pablo. "Let me help you with the bundle," he said, turning to Jordan. Leave the other in the old one. He spoke without hostility, but with sadness. "He's an old man with a lot of strength.

"I'll bring the bundle," Jordan said.

"No," replied the old man. Leave this to the little man.

"I'll take you," Paul said, and his hostility had turned to a sadness that troubled Jordan. He knew what that sadness was and discovering it worried him.

"Then give me the carbine," he said.

And when Paul held it out to him, he hung it over his shoulder, and joined the two men who were going up in front of him, and holding on and climbing with difficulty over the granite wall, they came to the upper edge, where there was a clearing of grass in the middle of the forest.

They skirted a small meadow, and Jordan, who moved nimbly without any ballast, gladly carrying his rifle erect over his shoulder, after the heavy bundle that had made him sweat, saw that the grass was mowed in several places, and that in others there were footprints that had been driven into the ground. He saw a path along which the horses had been taken to drink in the stream, as there was fresh feces. No doubt they took them there at night to graze, and during the day they hid them among the trees. How many horses would Pau have?

He remembered noticing, without much notice, that Pablo's pants were worn and shiny between his knees and thighs. He wondered if he had riding boots or would ride in espadrilles. "He will have a whole team," he said to himself; but I don't like that resignation. It is a bad feeling that appropriates men when they are about to move away or betray; it is the feeling that precedes liquidation."

A horse neighed behind the trees, and some sun filtering through the tall canopies that almost joined the summit allowed Jordan to make out among the dark trunks of the pines the fence made of ropes tied to the trees. The horses raised their heads as they approached the men. Outside the fence, at the foot of a tree, were several saddles stacked under a waxed tarp.

The two men carrying the bales stopped, and Robert Jordan realized that they had done it on purpose, so that he would admire the horses. "Yes," he said, "they are very pretty. And he turned to Pablo. You even have cavalry of your own.

There were five horses in the enclosure: three bais, a chestnut mare and a chestnut horse. After observing them as a whole, Robert Jordan examined them one by one. Paul and Anselm knew his qualities, and while Paul got up, satisfied and less sad, looking at the horses with love, the old man behaved as if it were a surprise that he had just invented himself.

"What do you think?" He asked Jordan.

"I caught all of those," said Paul, and Robert Jordan took some pleasure in hearing him speak in that way.

"This one," said Jordan, pointing to one of the basses, a large stallion with a white spot on its forehead and another on one hand, is very horse.

It was a magnificent horse, which seemed to have emerged from a painting by Velázquez.

"They're all good," Paul said. Do you understand horses?

"I understand.

"Better," said Paul. Do you see any flaws in any of them?

Robert Jordan realized that at that moment the man who could not read was examining the credentials.

The horses were calm, and had raised their heads to look at them. Robert Jordan slipped between the double ropes of the fence and struck the brown horse on the haunches. Then he leaned on the ropes and saw the horses circling on the fence; He continued to study them when they stood still and then bent down, coming out of confinement again.

"The red mare limps on the hind leg," she said to Pablo, without looking at him. The horseshoe is broken. This is of no importance, if it is properly ironed; but it can fall if it is made to walk a long way on hard ground.

"The horseshoe was like this when we took it," Pablo said.

"The best of these horses, the stallion with the white spot, has an inflammation at the top of the shank that I don't like at all.

"It's nothing," said Paul; It was done once three days ago. If it were serious, it would have already been seen.

He pulled the canvas and showed him the saddles. There were three Texan-style chairs, two simple and one very luxurious, of hand-worked leather, and thick stirrups; There were also two black leather military chairs.

"We killed a couple of civil guards," Pablo said, pointing to them.

"Come on, this is big game.

"They had gotten off the horses on the road, between Segovia and Santa Maria del Real. They had gotten off the horseback rides to ask for papers from a carter. We were lucky enough to be able to kill them without harming the horses.

—Have many civil guards died? Jordan asked.

"A few," Paul answered; but only these two without hurting the horses.

"It was Pablo who blew up Arévalo's train," Anselmo explained. It was Paul who did it.

"There was a stranger with us, who was the one who prepared the explosion," Pablo said. Do you know him?

"What was his name?"

"I don't remember. It was a very strange name.

"What was it like?"

"He was blond, like you; but not so tall, with big hands and a broken nose.

"Kashkin," Jordan said. It must have been Kashkin.

"Yes," Paul answered; It was a very strange name. Something similar. What was it?

"He died in April.

"That's what happens to everyone," Pablo said grimly. That's how we'll all end.—That's how we'll all end They finish All The Men He insisted Anselmo. So They have always finished All The Men of This world.

What's wrong with you, man

What's wrong with your guts?

"They are very strong," said Pablo. He spoke as if he were talking to himself. He looked at the horses sadly. He doesn't know how strong they are. They are getting stronger and better armed. They have more and more material. And I, here, with horses like these. And what awaits me? That they hunt me down and kill me. Nothing more.

"You hunt too," Anselmo told him.

"No," Pablo answered. I don't hunt anymore. And if we leave these mountains, where can we go? Answer me: where shall we go?

—In Spain there are many mountains. There is the Sierra de Gredos, if we have to leave here.

"It is not made for me," Paul answered. I'm tired of being hunted. Here we are fine. But if he blows up the bridge, they will hunt us down. If they know we're here, they'll hunt us down in airplanes, and they'll find us. They will send us to the Moors to hunt us, and they will find us and we must leave. I'm tired of all this, have you heard me? And he turned to Jordan: What right has he, who is a stranger, to come to me and tell me what I should do?

"I haven't told you what to do," Jordan replied.

"You'll tell me," Pablo concluded. This, this is the worst.

He pointed to the two heavy bales they had left on the ground as they looked at the horses. The sight of the horses seemed to have brought all this to his imagination, and when he realized that Robert Jordan understood horses, his tongue had loosened. The three men stood glued to the ropes watching the glare of the sun put spots on the bai stallion's skin. Paul looked at Jordan, and, stamping his foot against the heavy bundle, insisted:

"That's the worst.

"I've just come to do my duty," Jordan insisted. I have come with orders from those who are leading this war. If I ask you to help me and you refuse, I can find others who will help me. But I haven't even asked him for help. I will do what I have been told, and I can assure you that it is a matter of importance. The fact that I am a foreigner is not my fault. I would have preferred to be born here.

"For me, the important thing is that we are not disturbed," Pablo clarified. For me, the obligation is to preserve those who are with me and myself.

"Yourself, yes," said Anselmo. You have been worrying a lot about yourself for a long time. Of you and your horses. As long as you didn't have horses, you were with us. But now you are a capitalist, like others.

"Not true," Paul answered. I take care of the horses for the cause.

"Very rarely," Anselmo replied dryly. Very rarely, in my opinion. You like stealing. You like eating well. You like murder. Fighting, no.


"You're an old man who will look for an upset for talking too much.

"I am an old man who fears no one," replied Anselmo. I'm an old man who doesn't have horses.

"You're an old man who won't live long.

"I am an old man who will live to death," Anselmo concluded. And I'm not afraid of foxes.

Paul added nothing, but took the bundle again.

"Neither do wolves," Anselmo went on, taking his bundle, "in case you were a wolf."

"Shut your beak," Pablo ordered. You're an old man who talks too much.

"And that he is going to do what he says he is going to do," Anselmo replied, bending under the weight. And that he is starving. And thirst. Come on, sad head, take us somewhere where they will feed us.

"It's off to a pretty bad start," thought Robert Jordan. But Anselmo is a man. Those people are wonderful when they're good. There are no people like this when they are good, and when they are bad there are no worse people in the world. Anselm would know what he was doing when he brought him here." But he didn't like the way this topic was put up. He didn't like it at all. The only good thing about it was that Pablo was still carrying the bundle and that he had given him the carbine. "Maybe he always behaves," Robert Jordan went on. Maybe he's just one of those dark guys like there are many."

"No," he said to himself at once. Don't fool yourself. You don't know what it's like or what it was like before; But you know that this man is hurting fast and that he doesn't bother to hide it. When he starts to hide it, it will be because he has made a decision. Remember this. The first friendly gesture he has with you will mean that he has already made up his mind. The horses are fantastic; they are beautiful horses. I wonder if these horses could make me feel what they make Paul feel. The old man is right. Horses make you feel rich, and as soon as you feel rich you want to enjoy life. He will soon be unhappy that he will not be able to register with the Jockey Club. Pauvre Pau. And in the absence of the fact that they are Jockeys."

That thought made him feel better. He smiled as he saw the two leaning figures and the large lumps moving in front of them among the trees. He hadn't played a joke on himself all day, and now that he was joking he was relieved. "You're starting to be like everyone else," he said to himself. You're starting to get gloomy, kid." He had been somber and protocol with Golz. The mission had overwhelmed him a little. A little, he thought; it had overwhelmed him a little. Or, rather, it had overwhelmed him greatly. Golz was cheerful and wanted him to be cheerful too before saying goodbye, but he had not succeeded.

Good people, if you think about it, have always been happy people. It is better to be cheerful, and this was a good sign. Something like becoming immortal while one is still alive. It was a somewhat complicated idea. The bad thing was that many of them in a good mood were no longer alive. There were damn few left. "And if you keep thinking like that, boy, you'll end up leaving too. Change albums, boy; Change the disc, comrade. Now it's you who will blow up the bridge. A dynamiter, not a thinker.

Boy, I'm hungry. I hope Pablo will give us good food."